Movie Trailers in 4K UHD available for download
- 'Voicemails for Isabelle' Trailer
by Moviefone on May 19, 2026 at 5:52 pmJill copes with her sister’s death by leaving her voicemails chronicling her chaotic life in San Francisco. When the number is unknowingly reassigned, an elusive Austin real estate agent begins receiving the hilariously confessional messages
- 'Room to Move' Trailerby Moviefone on May 18, 2026 at 6:00 pm
Choreographer and performer Jenn Freeman has always possessed the gift of movement. From a very early age, she simply had to dance… all the time.
- 'Hope' Teaserby Moviefone on May 18, 2026 at 4:51 pm
In the remote South Korea village of Hope Harbor, police chief Bum-seok (Hwang Jung- min) and officer Sung-ae (Hoyeon) are called to find a mysterious creature that has wreaked havoc on the village.
- 'Your Fault: London' Trailerby Moviefone on May 14, 2026 at 5:57 pm
How do you hold onto true love after you've found it? Your Fault: London is coming June 17.
- 'Wildwood' Teaserby Moviefone on May 13, 2026 at 6:56 pm
From the makers of Coraline, Wildwood is a sweeping, darkly magical adventure about a young girl who ventures into a dangerous hidden forest to rescue her brother – an odyssey shaped by love, power, and the courage to confront the unknown.
- 'The Magic Faraway Tree' Trailerby Moviefone on May 13, 2026 at 6:32 pm
Based on the worldwide best-selling novel, The Magic Faraway Tree follows Polly, Tim, and their three children as they begin a new life in the remote countryside.
- 'Finding Emily' Trailerby Moviefone on May 12, 2026 at 3:12 pm
Looking for love and finding chaos. Angourie Rice and Spike Fearn star in Finding Emily, from the producers of Bridget Jones's Diary and Love Actually. Only in theaters August 28.
- 'The Rivals of Amziah King' Trailerby Moviefone on May 11, 2026 at 4:33 pm
Deep within the backwoods of rural Oklahoma, charismatic and musically gifted Amziah King herds a bluegrass-playing band of misfits while overseeing the premier honey-making operation in town.
- '72 Hours' Trailerby Moviefone on May 11, 2026 at 3:44 pm
A forty-year-old executive (Kevin Hart) hopes to save his flailing career by joining a group of twenty-somethings (Marcello Hernández, Mason Gooding, Kam Patterson, Ben Marshall) on a wild three-day bachelor party, after he’s inadvertently added to their group text.
- 'Minions & Monsters' Final Trailerby Moviefone on May 7, 2026 at 4:48 pm
extra! extra! the minions are taking over Hollywood. See Minions & Monsters, only in theaters July 1.
Recent Movie Trailers — Latest Releases and Upcoming Films
The recent movie trailers that land here come from studios as they release them — teasers, full cuts and clips from films heading to theaters. The mix shifts constantly and covers everything from blockbusters to smaller releases, with no fixed schedule.
These are standard promotional cuts, not diagnostic material. Audio and video quality depends entirely on what each production delivers. Some arrive in Dolby Vision and Atmos, others in more basic formats — the gap between a major studio release and a smaller independent production is often immediately apparent on a well-calibrated display.
How movie trailers are made
Trailer cutting is its own craft — the people who cut promotional material often have no involvement in the film itself. The result is that a trailer can feel tonally different from what actually ends up on screen. Audio gets its own separate treatment: low end is exaggerated, peaks are sharper, and the whole thing is tuned to land hard in a dark room full of people who haven’t decided yet whether to buy a ticket.
The shift to digital distribution changed trailer formats significantly. Before digital cinema, trailers were optical prints that ran at fixed specs. Now studios deliver multiple versions simultaneously — theatrical DCP versions at 4K, online versions at various resolutions, and promotional cuts optimized for mobile viewing.
Formats and quality
HDR has become the default for studio releases — Dolby Vision and HDR10 both show up regularly, sometimes as separate deliverables for the same title. On the audio side things vary more: bigger productions bring Atmos, mid-range ones tend to land at 5.1, smaller releases often just ship stereo. Resolution follows the same pattern downward as budget drops. For content built to actually stress-test a setup rather than sell a film, the surround sound test section is the right place — Dolby, DTS and THX files made for calibration rather than promotion.